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Voice Talent Feature: Dan Hurst

by Chris Porter on April 17, 2012

Dan Hurst is a bilingual voice talent who is in demand for both English and Spanish voice overs. He’s been heard voicing for such brands as WalMart, Ford, Caterpillar and Sprint. We took a few minutes to get Dan’s perspective on the voice over industry…

1. How long have you been in the voice over business and what got you started?

About 25 years. I’d gotten laid off from my job and was having trouble finding work. One day my wife asked, “Who does all those voices for those TV and Radio ads?” It had never occurred to me that someone was actually making a living doing that. I started checking around, and eventually found a talent agent in Kansas City that would talk to me. He must have felt sorry for me, because he took me under his wing and showed me the ropes. I had my first job within a week. Pretty soon I was as busy doing Spanish work as I was English.

2. How would you characterize your style, sound, or signature read?

Evolving, even after 25 years. My base, go to style and sound is the mid-deep friendly, comfortable and conversational read in English or Spanish. That being said, I have developed (and continue to develop) a range that includes the movie trailer, to hard sell, to authoritative-informative, all the way to casual-laid back.

3. Have you had any interesting, unique, funny or scary experiences while voicing that you can recall?

There have been so many! Some time ago, I was asked to do a Christmas commercial in which I was to interact with Santa. It was an ISDN hook-up. Everything was set up, except that Santa showed up drunk. It was quite obvious. Santa was snockered. And we kept having to repeat line after line after line.
Now, I have just enough of an ornery streak in me that I couldn’t leave well enough alone. One of my lines was to ask Santa why he was so jolly. So as we were reading through what must have been the 10th take of the line, I tossed my line at him…in Spanish.

It didn’t phase him a bit. He continued on with some semblance of his line. I’m pretty sure I heard the engineer snort coffee everywhere.

The producer was not happy with Santa’s delivery, as if that were any surprise. So he tried to offer some insight to the style of delivery he was looking for.

And then it happened.

Santa got into a heated argument with the producer about whether Santa would say something that was in the script!

I got to laughing so hard the engineer had to mute me!

4. Do you have any heroes, mentors or others in the business that you look up to or have influenced you?

Interestingly, the people in the business that I’ve learned the most from are my clients. I’m all for voice coaching and training, but I’ve developed most of my skills by really listening to my clients and engineers/producers, discovering what they want. But as far as voice talents that I look up to and respect, I have a deep admiration for every full-time voice talent in the business. And I have certainly been influenced by such class-acts as Drew Dimmel and Roberta Solomon from my hometown of Kansas City.

5. What is the best advice you can offer people who are just getting started?

It’s a tough business. Let your passion motivate you, but make sure you temper that with a healthy business strategy.

6. What would you be doing if you were not a voiceover talent?

Looking for work…or bail.

7. What is the most important thing you’ve learned since you started in this industry?

That my clients are in business to succeed. If I can help make them successful, we both win. My job is to make them look good.

8. Is there anything you would like to add?

A couple more jobs a day? Is that asking too much?

Thanks for asking!!!!!!!!!!!!!!!

Here’s a sample of Dan’s Spanish voice over work, in an orientation video for Trident.

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political voice overs in 2012

Politics … As Usual?

by Sheldon Borgelt on January 10, 2012

With the 2012 presidential race officially underway, we thought we’d get a perspective from the front lines.

ProComm voice talent Bob Jump has carved out a niche in national political advertising. We asked him to share his perspective and experiences from past campaigns.

Q:  How has this presidential election season been different so far?

A:  Well, let’s see. You’ve got one candidate who called another candidate a liar. Next you’ve got a presidential candidate being endorsed by an ’08 candidate who lost the election. We’ve seen video moments where two out of the seven in the primary couldn’t contain their tears. And …  there’s money. Huntsman spent about a nickel and Perry spent $480 per vote in Iowa. So, yeah … everything’s pretty much on par. Different personalities but the feeling is like, this may already be a done deal.

Q:  With the record early number of caucuses and primaries, what do you think will be the “peak” time for political advertising this year?

A:   I don’t know. But I do know that if you live in South Carolina it might be time to take that vacation you’ve been dreaming about.  If you think Iowa was crazy with TV ads, wait till you  see what happens in that “make it or break it” state of South Carolina. And you can bet most all of the ads will be negative / attack, too. This is going to be harsh… and they haven’t even started skewering President Obama!

Q:    Do you pick the candidate and/or party, or do they pick you? How does it affect your work with other candidates?

A:    As a voiceover, I’ve always said you pick your party, not your candidate. Years ago, I had a choice to make and I went with the Republicans. Some voiceovers work both sides. But certain political consultants view them as “guns for hire” and it can become an issue of party loyalty which may concern them. They also worry whether that voice may be on a competitor’s ad and that, of course, is a big no-no. By not working both parties you’re giving up two sources of income. But, you’re also known as the “go-to” guy of the GOP. They know I’m strictly in their corner when they need me; it’s an added value.

Q:   Is that how you came to do work for Rick Perry?

A:   I’d like to think so. When they do call you, two things immediately come to mind: Will they have you continue with the entire campaign or is this a one-shot?  The other is, are you going to get along with that political consultant and that team? I’ve had as many as  eight people that are all a part of the session. They might pull you in eight different directions. I try and decide just who it is I want to please the most.

Here’s one of the spots Bob recently recorded for the Perry Campaign.

Q:   When you talk about 24/7 availability for political work, is that to be taken literally?

A:    Yes, literally. During the peak of the political season, a voiceover is like a doctor on-call. It can be 10 or 11 at night and that phone will ring. You drop what you’re doing and hit the mic. Weekends are no different than weekdays. One Sunday I had eight sessions! Did I complain? I don’t think so.

Q:    Are you asked to adopt regional styles, or do they just want your “signature” voice?

A:   Good question. Yes. For example, if it’s something airing way down south, I’ve been asked to dump the “ing” off some words. In Texas, I’ve been asked to give it a bit of a “drawl.” In North Dakota, they’ve asked for a “rural” sound as in: “talk to me like a cattle rancher, Bob.”  So, yes … you learn to adapt to the group you’re targeting. And you adapt quickly or you don’t get asked back.

Q:   Have you seen an increase in messages that are exclusively for the web, as opposed to TV spots with shared web exposure?

A:    Yes, and every year it continues to climb. One reason is you can get an ad up on the internet so quickly these days. Richard Blumenthal was in a tight race with WWE’s Linda McMahon in Connecticut. He was going to speak at a noon fundraiser. Timed to create some mischief, as well as throw him off just before the fundraiser, the McMahon team created a web/ TV ad (below) about his record serving in Vietnam. They called at 7 that morning and the ad was up by 10. Super fast. It went viral, it worked and it was embarrassing. All the new media choices give us an amazing ability in terms of speed, but they won’t replace traditional media any time soon – if ever.

Q:   Do you meet any of your candidates face to face?

A:   The closest I’ve come to a political “one on one” was a special White House party for Marvin Bush. I wasn’t there but my voice was. It was a roast and I was the guy with the humorous jabs starting from his childhood. The fella that had me voice it was sitting right next to Barbara Bush that night. When my narration was over, Mrs. Bush turned to him and asked,  “Was that Walter Cronkite?”  My highest praise ever!

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ProComm Voices Holiday Hours

December 14, 2011

A quick note to all our wonderful clients… ProComm Voices will be open for business through the holidays this year. If you need to book a voice over session, we’ll be available during our regular business hours each weekday, 9 AM – 6 PM Eastern.

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Voice Talent Feature: Lindsay Ayliffe

December 8, 2011

One of the best in the industry and a top voice on the ProComm Voices roster, Lindsay Ayliffe has been winning clients over with his voice for years. He took a few moments to share his experiences in the voice over biz for our latest feature…

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More Stories About Bill Thomas

November 14, 2011

When directing Bill in sessions, I always felt that he and I were on the same wavelength. After a take, I could start to make a suggestion, and Bill would frequently complete my sentence, somehow knowing exactly what I was looking for. We would hear things the same way. Directing him was like steering an expensive sports car. He responded so well to whatever was asked of him.

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Remembering Bill Thomas

November 10, 2011

Bill was a throwback, a character, a curmudgeon, as well as a true professional, and if you ever had the chance to get to know him you probably have a story or two to tell. To honor Bill, I’d like to share some of those stories, along with some of the incredible work that Bill did behind the mic.

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‘Prairie Home’ Sound Effects Master, Passes

November 1, 2011

Sad news with the passing of Tom Keith, sound effects master on public radio’s “A Prairie Home Companion.” Here’s hoping his career inspired others to keep the magic of live radio going.

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Howard Beale Revisited

October 20, 2011
Thumbnail image for Howard Beale Revisited

With a nod to the famous scene from the 1976 film “Network,” ProComm’s Kyle Holman evokes memories of newsman Howard Beale and the great actor, Peter Finch, in this spot for Guardian Credit Union.

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ProComm talent Emilie Brown on UT Detroit Tigers sponsorship

October 17, 2011

A benefit to having the Detroit Tigers playing in Major League Baseball’s Postseason was the opportunity to hear their network broadcasts on XM-Sirius radio.   In addition to their great broadcasting team of Dan Dickerson and Jim Price, you may have heard spots for the University of Toledo, a Tigers network sponsor, featuring voice talent Emilie Brown.

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What Else Do You Want From Your Voiceover Talent?

October 10, 2011

A voice talent’s job is to communicate the message of your script. But what else should you expect from the talent you choose? How do you prefer that the talent go about assisting you with achieving your goals? Other than being great communicators, what can the talent bring to your production that adds value and makes your recording session great?

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